Current Exhibitions

Mary Anne Barkhouse: Le rêve aux loups

September 16 – December 22, 2017

Guest curated by Jennifer Rudder

The artistic practice of Mary Anne Barkhouse is deeply engaged with environmental and indigenous issues and incorporates in a central role a visual iconography of animals. Barkhouse situates her work between the two worlds of the human and the natural and employs the beaver, raven, wolf, and coyote as symbols of the ability to adapt, persist, regenerate, and repair throughout endless environmental incursions. Her skilled handling of traditional sculptural materials such as wood, bronze, porcelain, metal, and glass bring both a refined sensibility and serious tone to her often-playful installations. The works reflect on our skewed experience of nature as a resource for human needs rather than as an ecosystem with its own intrinsic value.

Postcommodity: A Very Long Line

September 16 – December 22, 2017

‘A Very Long Line’ is a four-channel video installation that employs the image and idea of the fence demarcating the U.S.-Mexico border between Douglas, Arizona and Agua Prieta, Sonora. Camera pans of the Sonoran Desert shot through the border fence blur past viewers on all sides, at varying speeds, amid a jarring, dissonant soundtrack composed by the artists.